A much younger Diego trying to get himself mailed to the wild Amazonian jungles.
I've tried to write poems about cats before, but like oranges, I can't seem to grapple with them. They're too strange, too lovely to write about. However, the following poem by Charles Bukowski is a very successful cat poem. (You can hear Garrison Keillor read it on The Writer's Almanac archives.) To me, it captures cat-ness beautifully.
It's also a great poem to teach to beginning writers: it's a spare little piece that's easy to "get," but its similes and metaphors are fantastic, transformational. Bukowski turns the cat into a god, a machine, and a plum tree, and each metamorphosis inches us a little bit closer to Bukowski's vision of the cat's essential nature. Each comparison is a little slant; it doesn't make perfect sense that a plum tree is "final," nor does it make sense that a plum tree is like a cat, but we still feel what Bukowski means instinctively. It's a great simile because it's unexpected and brief and strange and oh so right.
When Bukowski walks the cat out of the poem beneath "porticoes of [his] / admiration," we see the cat one last time, sashaying through a temple of worship, as preening and pleased with himself as any Roman emperor or Greek god.
I swear, this cat could have been Diego.
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startled into life like fire
By Charles Bukowski
in grievous deity my cat
walks around
he walks around and around
with
electric tail and
push-button
eyes
he is
alive and
plush and
final as a plum tree
neither of us understands
cathedrals or
the man outside
watering his
lawn
if I were all the man
that he is
cat--
if there were men
like this
the world could
begin
he leaps up on the couch
and walks through
porticoes of my
admiration.
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